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[size=18]T-RackS 24[/size]
Description:
If you record music with digital gear, you already know how challenging it can be to get that warm, broad, analog sound. Yet, up until now, there's never been a way to achieve this leaving the digital domain and piping your music through expensive analog gear.
T-RackS® 24 has everything you need to create superb, tube-toned masters on your desktop.
Its rich, warm sound starts with algorithms based on true analog circuitry. Its familiar interface makes it easy to control five powerful processors: EQ, compressor, limiter, soft-clipping output stage, and a complete mastering suite. Enhances mix frequencies, stereo images, dynamic range and gives your audio a seamless, top notch sound.
T-RackS® 24 includes: • State-of-the-art 6 band Mastering EQ • Tube modeled stereo Compressor • Multi-band Master Limiter • Soft clipping output stage • Studio mastering presets
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[size=18]Ableton Live 6.0.3[/size]
Changes from Live 6.0.1 to Live 6.0.3
Improvements
Context menu in zone editor has two new entries: - Select all parts with same range - Reload loops from file
Easier macro-mapping by adding the "Map to Macro .." menu to each context menu of a device parameter within a group.
Deferred opening of sample files when loading all kind of documents (Live sets, presets, live clips, ...) which are saved with Live version 6.0.3 or later.
Prohibit render/freeze/consolidate as long as there are samples decoding or deferred loading
Several multi-sample import improvements
Several improvements related to scene selection: - select scene on remote launch - synchronizing the highlight and selection in more cases - setting track highlight to return when clicking o a return Slot - setting track highlight to Master when navigating from slot to scene by arrow
Performance improvement for documents with very large numbers of midi clips in the arranger
Performance improvement for the loading of Live clips Crop samples via context menu for for selections in session and arranger
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[size=18]KOMPLEXER VST [/size]
Description:
Legendary sound and fantastic possibilities: The KOMPLEXER VST synthesizer With virtual analog and wavetable synthesis, the KOMPLEXER VST synthesizer sets new standards for VSTi instruments. Featuring classic synth sound powered by 5 oscillators, 2 multimode filters, 4 ADSDSR envelopes and 3 LFOs, the KOMPLEXER VST plays in the premier league of VST instruments. Its ability to import Waldorf microQ® sounds underscores the KOMPLEXER VST’s status as an exceptional sound-sculpting engine.
Courtesy of the application’s groundbreaking macro controllers, presets can be modified to suit every taste using just eight parameters, an improvement in handling ease that not only newbies will welcome. Power users naturally also have unrestricted access to all of the sophisticated synthesis engine’s 400 parameters.
Features such as the advanced arpeggiator and LFO 3’s synchronizable user-specific waveform serve to create striking soundscapes that adapt automatically to the given song tempo. With KOMPLEXER VST, a further legendary, professional synthesizer is now available in any VSTi-compatible software.
Thanks to its seamless integration into VST environments, the KOMPLEXER VST offers a further range of practical features such as full automation.
Naturally, the KOMPLEXER VST can also be used in standalone mode, without VST host software.
Enrich your musical expression with the groundbreaking sounds of the KOMPLEXER VST!
Virtual analog synthesizer for Windows Legendary sound Up to five oscillators per voice with sync and ring modulation Additional wavetable synthesis Imports Waldorf microQ® sounds Eight macro controllers Up to 256 voices Unrestricted access to the sound synthesis engine Two multimode filters (8 types, including comb filter) Flexible modulation matrix Four ADSDSR envelopes Three LFOs (LFO3 with user waveform) Extensive arpeggiator functions with user pattern Five effect units offering delay, reverb, chorus, phaser, distortion Full automation support, controllable via MIDI controller VST plug-in for Windows 98, 2000, XP (32/64)
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[size=18]Native Instruments MASSIVE[/size]
Description:
A Modern Masterpiece MASSIVE is a sonic monster. The analog concept belies the cutting edge, contemporary sound it generates. The high-end engine delivers pure quality, lending an undeniable virtue and character to even the most saturated of sounds. The interface is clearly laid out and easy to use, ensuring you will have MASSIVE generating earth-shuddering sounds from the very first note.
Uncompromising Sound Covering an exceptionally wide range of styles, MASSIVE is a true multi-talent. From violently rugged and deep monophonic bass rumblings to silkily smooth, gliding and gently fluctuating electronic pads, from techno and leftfield electronica to pop and film music, MASSIVE's sonic spectrum is as broad as it is inspiring. This unique synthesizer has its own uncompromising character that produces the most distinctive of sounds.
Good To Go Equipped with some 460 production-ready presets and multi-sounds, all crafted by leading artists and designers, you can start using MASSIVE immediately and without any fuss. The integrated KoreSound® Browser makes managing the KORE-configured presets easy. Fast search and filter functions let you find presets according to specific characteristics and attributes – a particularly musical and intuitive approach.
Center Stage On stage, MASSIVE is sure to grab the limelight. An array of special features makes it ideal for live performances. The integrated step sequencers and effects section as well as a highly flexible modulation concept deliver the necessary versatility. All these features have been implemented with a focus on usability, with the result that MASSIVE is just as easy to use on a hectic stage as it is in the creative environment of a studio.
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[size=18]U-he.Filterscape.VST.v1.1 [/size]
Description:
Filterscape is a flexible sound bending plug-in. It's a parametric equalizer. It's a virtual analog filter. It's a delay effect. It's a modulation device. It's all at once - and more. It offers you the tools and flexibility to spice up your music in ways beyond imagination.
Most of all, Filterscape is great fun to use and to listen to. It's addictive!
But it doesn't stop here. Filterscape comes with 2 sister plugins (included!), one of which is Filterscape VA, a virtual analog synthesizer based on Filterscape's modular architecture, and Filterscape Q6, a 6-band equalizer with dynamic capabilities!
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[size=18]ExpDigital.G-Flux.v1.0.2.VST [/size]
Description:
GFlux is a multi mode modulated filter. But this simple description fails to do justice to the complex sound design tool that GFlux is! We started with four independant filters, each capable of outputing Low Pass, Band Pass, High Pass, Notch and Peak filter types simultaneously. Then we added four modulation blocks to give expression to your sound. Each modulation block can be either, A drawable LFO, the loop envelope, and ADSR or an envelope follower. Every filter parameter is modulatable from these sources via the extensive modulation matrix. You can also apply arithmetic functions to your control signals to vary the sound even more! For example you could multiply two modulators together, or choose the maximum modulation value from two sources! The core of GFlux is the concept of the 'flow'. Each flow represents a different filter layout, controlling which filters feed to others. The flows range from simple 8 pole filters right through to insane serial / parallel networks. These flows cover almost all the possibilities for routing and combined with the separate level control for each filter state you can create amazingly complex filter responses. We've also thrown in everything that you would expect from a top flight plugin - Loads of presets (over 80), Full midi and host control of all sound altering parameters
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[size=18]Crysonic newB Aural Acoustics Based Bass Enhancer VST [/size]
Description:
Based on 'Aural Acoustic' principals newB is a bass enhancer and maximizer VST plug-in that can be used to apply from subtle to extreme bass enhancement and generation during Mastering, Mixing, Tracking and Live performance. newB increases the perceived amount of bass by adding / mixing specific sub-harmonic content from the original bass, thereby allowing our brains to hear lower- frequencies than may exist in the original audio material. The newB process conceptually enhances the bass performance of high and low quality consumer speaker systems ranging from Hi-fi to multimedia speakers found in products such as laptops.
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[size=18]Crysonic.SpectraPhy.v1.0.VST[/size]
Description:
Spectra'Phy™ -is the first Mastering grade look-ahead brickwall limiter of it's type to utilize the principals of mechanical physics for Audio processing. The innovative approach represents a paradigm shift in the way these types of DSP effects have been designed to date. The unique method employed easily allows the mastering engineer to achieve maximum perceived "loudness" transparently without ever getting overshoots (Digital-over's) with minimum audible distortion. The characteristics of the final audio can quickly be adjusted to taste, be it analog or digital with only two rotary-dials. The drive / color dial component also allows the addition of analog saturation when "running hot", this can naturally be disabled if not required. Spectraphy has been designed for ease of use and efficiency in mind without sacrificing creative freedom.
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